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      <image:title>How To Audiobook - The 2 Types of Microphone for Voice-Overs</image:title>
      <image:caption>Condenser microphones are the rich, pompous big brother to dynamic microphones. A bit more complicated than their dynamic younger brother, which means they’re more fragile and expensive (meaning they have a high class taste, a full voice that will use the microphone for everything it’s worth). Nowadays, though they have gotten much, much cheaper than they were back in the day. That said, these condenser microphones can produce a much clearer sound when compared to dynamics.  Just like you’d expect an older brother to be, they’re more balanced, accurate, and “sweeter” than their dynamic younger brother. They’re also much more sensitive, which makes them perfect for soft whispers and big bright announcements. As a studio microphone, they’re a great choice. These guys can’t be used for as many sound sources as its young dynamic brother but they do pride themselves on being able to make sounds even better than they were before. Their top-end bump, gives extra “air” to what they capture, making them sound less muffled than a their dynamic brother. Remember how they’re complicated? Well, their polar patterns come in different variations, making them more versatile for creative miking techniques. Many condenser mics have switches that change their patterns between.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584893640187-91LIO4IRKNJO9JF505AZ/microphone-6-800x600.jpg</image:loc>
      <image:title>How To Audiobook - The 2 Types of Microphone for Voice-Overs</image:title>
      <image:caption>Dynamic mics, such as the Shure SM57 or the Sennheiser MD 421-II, are the backbone mics to any studio. Just as you’d image a younger brother getting roughed around, these mics are tough so to speak. Don’t worry about dropping them or accidently whacking it with a drumstick, they’ll still work. *NOTE: please don’t do any of those mentioned above, please love your mics and take care of them. Basically, these mics can take any wear and tear of a home studio. Dynamic microphones aren’t sensitive like their older brother, which makes them perfect for loud sources. This is why you often see them on snare drums and guitar amps. Because they’re insensitive, they’re very versatile. Dynamic mics are used on all kinds of sounds in the studio. And because they’re usually the cheapest of the mic types, they’re also easiest to stock up on. Dynamic microphones have a unidirectional pattern (otherwise known as a cardioid pattern – because it looks like a heart). This means that the mic picks up sound in the direction it is being pointed, and cancels out any sound coming from behind it.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/freelancing-platforms-for-voiceover-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/voice-over-equipment-every-beginner-needs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1606654837340-RJABCQF8CMWPU33Z4K1B/sounds+and+such+pre+amp</image:loc>
      <image:title>How To Audiobook - Voice-Over Equipment Every Beginner Needs - 2. Preamp</image:title>
      <image:caption>Preamp helps in amplifying the electrical signal generated by the microphone and then converts it to a language that is understandable by computer software. Moreover, think of preamp as an interface that supplies power to the microphone. Click here to see some options on Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1606654921764-AF6FALYJIHV5ZJJAO8WB/sounds+and+such+microphone+stand</image:loc>
      <image:title>How To Audiobook - Voice-Over Equipment Every Beginner Needs - 3. Mic Stand</image:title>
      <image:caption>To record quality voice-overs, avoid handling the microphone by yourself. Instead, make use of a mic stand. It will help keep the microphone in a fixed position so that your voice recording is more consistent and free from vibrations. We recommend a short desktop mic stand rather than an “arm” mic stand which attaches to your desk. That’s because a desktop stand will be more stand and won’t pick up unwanted noise from shifting your body or low vibrations from fans or computers. Here’s some suggestions on Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1606655038829-MQ6NGBYIAG3LDGDIQ2Y1/sounds+and+such+shock+mount</image:loc>
      <image:title>How To Audiobook - Voice-Over Equipment Every Beginner Needs - 4. Shock Mount</image:title>
      <image:caption>It suspends the microphone with elastic or rubber bands that help in eliminating most of the handling and vibration noise, the microphone would otherwise pick up. Small equipment which can affect your quality immensely. Check out these shock mounts on Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1606655112894-OZBDGS4BAM4K5USMJZ57/sounds+and+such+pop+filter</image:loc>
      <image:title>How To Audiobook - Voice-Over Equipment Every Beginner Needs</image:title>
      <image:caption>5. Pop Screen or Pop Filter Sensitive condenser microphones have the ability to pick up sound from anywhere, including the plosive sound created by the mouth. This can result in ugly pops on the recording. Having a pop screen can diffuse this noise. These are usually pretty inexpensive and can be found at your local music shop or on Amazon. Check them out here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1606655983211-Z21GDJXG606K1XBRR6LO/sounds+and+such+headphones</image:loc>
      <image:title>How To Audiobook - Voice-Over Equipment Every Beginner Needs</image:title>
      <image:caption>7. Headphones When you are recording for voice-overs, you should be able to hear your own recording. Therefore, investment in a good, high-quality headphone is recommended to know the nuances of your voice. We recommend Sennheiser HD 280 Pro. They’re light, with a loose yet snug fit and have a great sound. Check them out here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/record-voice-overs-like-a-pro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1606642449151-SSS9FU0KBA2HWWVFOFJX/sounds+and+such+pop+filter</image:loc>
      <image:title>How To Audiobook - Record Voice-Overs Like a Pro</image:title>
      <image:caption>1. Use Pop Filter When recording voice-overs, making use of pop filters can turn out to be extremely beneficial. Apart from helping you protect against the plosive sounds, the pop filter can also help in positioning the voice-over artist at the right distance from the microphone. If one keeps the pop filter at 5 inches from the microphone, it becomes easier for the artist visually to stand 5 inches away from the pop filter, rather than constantly imagining to stand 10 inches away from the mic. These are pretty inexpensive starting at around $8.99. Click here to see them on Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1606643380310-W938M4UT3ASMD9QR0CL3/short+desktop+mic+stand</image:loc>
      <image:title>How To Audiobook - Record Voice-Overs Like a Pro</image:title>
      <image:caption>2. Use a Desktop Mic Stand Making use of desktop mic stand is also one of the things that can help you record voice-overs like a pro. Apart from helping the artist to place themselves at the right distance away from the microphone, it also helps with the consistency of your recordings. When picking out a stand there are many options to choose from. We recommend a short desktop mic stand. The reason for this is because popular “arm” mic stands attach to your desk and therefore pick up a lot of unwanted low vibration sound that can be produced shifting around or from the fan in your computer. So using a short music stand can help avoid such noises.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/how-to-choose-the-right-mic-for-voice-over</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1595954029695-DQ08L3OJXKFLP0TMK470/image-asset.jpeg</image:loc>
      <image:title>How To Audiobook - How to Choose the Right Microphone for Voice-Overs</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1595954489538-RAB97W6C37EUH2FO3G3Q/image-asset.jpeg</image:loc>
      <image:title>How To Audiobook - How to Choose the Right Microphone for Voice-Overs</image:title>
      <image:caption>Cardioid Mic Pattern</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/why-you-should-use-a-professional-voice-over-artist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/busting-voice-over-myths</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-01</lastmod>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/best-voice-over-daw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-27</lastmod>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/condenser-microphone-things-to-consider-before-purchase</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/the-top-5-best-microphones-for-recording-voice-over</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584993420387-O9IUERRY3FK1ZWHNPXBQ/preview_1.jpg</image:loc>
      <image:title>How To Audiobook - Top 5 Best Microphones for Recording Voice-Over - Price - $1049</image:title>
      <image:caption>For many voice-overs professionals, Neumann TLM103 is a go-to choice mainly due to its elite build quality and audio clarity. It is an ideal choice as it minimizes the background noise considerably. This is a good condenser mic for vocals and since the circuitry does not include a transformer it helps in decreasing self-noise, while increasing the SPL handling significantly.  Recording sound using this microphone has a flat frequency response. The Neumann TLM103 XLR microphone is good enough for all types of audio applications. That being said, it is one of the more expensive microphones available in the market.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584993553611-LCT7GTJO0Q5UHLUOB3PD/11669583_800.jpg</image:loc>
      <image:title>How To Audiobook - Top 5 Best Microphones for Recording Voice-Over - Price - $229</image:title>
      <image:caption>If you are looking for a microphone that delivers the best value for money - Rode NT1-A is an excellent choice. The XLR cardioid condenser microphone offers an extended dynamic range and is excellent for recording high-quality voice-overs. Moreover, it has a self-noise level of only 5 dB.  The Rode NT1-A is designed as the all-in-one solution, which comes with a cradle, stands, and a pop filter. Mostly, the features offered by Rode NT1-A, are available in a microphone that falls on the higher price spectrum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584993676569-P6P0JC69VKVLHADNYD9R/samson-g-track-pro.jpg</image:loc>
      <image:title>How To Audiobook - Top 5 Best Microphones for Recording Voice-Over - Price - $119</image:title>
      <image:caption>The Samson G-Track Pro is another good choice for voice-over artists who are looking to buy a USB microphone at an affordable price. For people who want to record voice-overs on their desks, it comes with an in-built desktop stand along with some good controls on the microphone itself.  For recordings, it comes with a resolution of 24-bit/96 kHz, which is what you would expect from a studio microphone. It offers three different recording patterns which include - cardioid, bidirectional and omnidirectional.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584993830516-RRT9D32G5MJW7KETHNCH/Blue_YETI_Yeti_Multi_Pattern_USB_Microphone_1390950459000_857749.jpg</image:loc>
      <image:title>How To Audiobook - Top 5 Best Microphones for Recording Voice-Over</image:title>
      <image:caption>Price - $129 If you are looking for the best USB microphone, Blue YETI should be definitely in your list of considerations. This microphone is basically just plug-and-play. There is no need to have an audio interface. All you need to do is plug in the USB cable and you are good to record.  It has its sturdy desk which allows you to record from your computer desk. The Blue YETI also offers three recording patterns which include - cardioid, bidirectional and omnidirectional. It is an excellent choice for a beginner voice over artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584993944248-K1757Z9CDV93WGXRHYWK/image-asset.jpeg</image:loc>
      <image:title>How To Audiobook - Top 5 Best Microphones for Recording Voice-Over</image:title>
      <image:caption>Price - $399 Shure SM7B is a dynamic microphone that works excellently well even in a noisy environment. That’s why we believe it’s the best shure vocal mic out there. This is an XLR microphone that offers real value for money. Such kind of microphone is mostly used by radio broadcasters as it offers capabilities such as explosive breath eliminating pop filter, internal air suspension shock isolation, and brass roll. As compared to other dynamic microphones, it offers a flat frequency response and is extremely easy to use.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/how-to-avoid-audio-feedback-loop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584632605423-MF1VS3QZ6U77Q38S4Y1F/audio+feedback+face</image:loc>
      <image:title>How To Audiobook - What is audio feedback and how to avoid it - What is that awful squealing sound?!</image:title>
      <image:caption>No, it’s not this screaming guy to the right here. It’s probably feedback.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584633586649-IMJFQE02M5LBGFQMRL8T/feedback+loop.gif</image:loc>
      <image:title>How To Audiobook - What is audio feedback and how to avoid it</image:title>
      <image:caption>A feedback loop happens when the sound from the speakers goes back into the microphone. The microphone captures this sound, amplifies it, and sends it through the speakers again. This creates a continuous loop of sound reinforcement, as shown in the accompanying image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/top-6-tips-for-recording-perfect-audio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584278000060-X42PMFWY15FTL3BAJQK1/image-asset.jpeg</image:loc>
      <image:title>How To Audiobook - Top 6 Tips for Recording Perfect Audio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584218783762-FG4UMI9BV2MSSZXNEWPR/image4.jpg</image:loc>
      <image:title>How To Audiobook - Top 6 Tips for Recording Perfect Audio</image:title>
      <image:caption>The microphone set is one of the most significant elements for recording quality audio. If you want to start a channel on YouTube or maybe you’re thinking about starting a podcast, then improve your recordings by investing in an external mic. There are various mic options that you can buy online or at your local music shop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1584218927557-KT3SRRZIK13YG0ASUMXH/image2.jpg</image:loc>
      <image:title>How To Audiobook - Top 6 Tips for Recording Perfect Audio</image:title>
      <image:caption>Any time we speak, our speech consists of quieter and louder moments. Before starting a recording, it is important to test the recording volume. Generally, we don’t speak louder during test recording as in the actual recording. So, while making a test recording, be sure to speak at a volume that is at a natural level.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://soundsandsuch.com/howtoaudiobook/4-tips-for-successful-narration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1583769340589-JZ7SPXIPV0YAF4NFW17A/image-asset.jpeg</image:loc>
      <image:title>How To Audiobook - 4 Tips for Successful Narration</image:title>
      <image:caption>Audiobooks are among the fastest-growing markets, wherein an increasing number of authors are looking to publish their books on audio platforms. Authors are now writing first to engage the ear rather than the eye. However, to ensure that the authors' writing remains effective - the successful narration is of utmost importance. As a narrator, you are taking the role of guide. Therefore, the narrator must provide audible guardrails to keep their listener on track.</image:caption>
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      <image:caption>Every title on your list, cast, recorded and proofed by one team You need audiobooks that come in clean, on schedule and true to the text. We manage the whole process. We match each title with the right narrator, who records it, and then we edit and master the audio and proof every word against the manuscript. You get updates in plain English and files ready for Audible, Spotify and other retailers. One partner for casting, recording, editing, mastering and proofing Already have recordings? We can take on editing, mastering or proofing on their own</image:caption>
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      <image:caption>Help your clients' audio rights earn their keep When your client keeps their audio rights, or wants to do more with them, we can help turn the book into a finished audiobook. We'll suggest narrators who suit the book's voice, so you and your author can listen to demos and choose together. Then we handle everything through to retailer-ready files for Audible and Spotify. Narrator demos to share with your author before you decide Clear communication at every step, so you always know where the project stands</image:caption>
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      <image:caption>Your first audiobook, without the overwhelm Never made an audiobook before? That's fine. Tell us about your book and we'll help you find the right narrator, then proof, edit and master the recording until it's ready to publish on Audible, Spotify and beyond. Narrating it yourself? Record wherever suits you and we'll edit and master your files so they sound polished and consistent. Dominic can also work with you in remote recording sessions over Sessionwire. Help choosing a narrator, or support if you're recording yourself Files ready for Audible, Spotify and other retailers Your first hour of editing and mastering is on us</image:caption>
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    <loc>https://soundsandsuch.com/faq</loc>
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      <image:title>FAQ - Audiobook Production</image:title>
      <image:caption>Here’s how full production works, step by step.</image:caption>
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      <image:title>FAQ - Editing and Mastering</image:title>
      <image:caption>Need audio editing and mastering?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1619372338031-8ABOQNH7SKIW58KL5GW5/proofreading+example.png</image:loc>
      <image:title>FAQ - Proofreading</image:title>
      <image:caption>Need a second pair of eyes to find those unintentional misreads?</image:caption>
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  <url>
    <loc>https://soundsandsuch.com/audiobook-production</loc>
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    <priority>0.75</priority>
    <lastmod>2026-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e486ad81ea5462a7a93a530/1583074433439-N1FMUMT3U5RE0TMH6ZYC/man-with-a-megaphone-1467100811msv.jpg</image:loc>
      <image:title>Audiobook Production - Audition it.</image:title>
      <image:caption>The narrator shapes how listeners experience your book. We suggest narrators who suit it, whether that's a calming voice for a bedtime story, an energetic one for a fast-paced book, or someone who can bring out complex characters. You listen to their demos and choose. See how narrator auditions work.</image:caption>
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      <image:title>Audiobook Production - Record it.</image:title>
      <image:caption>Your narrator records the book in their own sessions. Everything that comes after depends on that original recording, so it has to be clean from the start. Narrating your own book? Record wherever suits you, or Dominic can work with you in remote recording sessions over Sessionwire.</image:caption>
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      <image:title>Audiobook Production - Proof it.</image:title>
      <image:caption>Narrators caught up in a story sometimes slip on a word or read a line differently from how it's written. We check the recording against the manuscript and flag every misread. The narrator re-records those lines, so every word matches the book.</image:caption>
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    <image:image>
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      <image:title>Audiobook Production - Edit it.</image:title>
      <image:caption>Microphones pick up tiny mouth and nose sounds you'd never notice in conversation. We remove them, along with slips and stray noises, so nothing pulls the listener out of the story. Breaths are handled the way you want.</image:caption>
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      <image:title>Audiobook Production - Master it.</image:title>
      <image:caption>Volume drifts during a recording, louder in some places and quieter in others, especially when a book is recorded over many sessions. Mastering evens it out so the whole book sounds full and consistent, and listeners never have to reach for the volume control.</image:caption>
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      <image:title>Audiobook Production - QC it.</image:title>
      <image:caption>We listen to the whole book one last time for errors and inconsistencies, then check it against the technical requirements of Audible, Spotify and other retailers. Your finished WAV files come back to you through your shared Dropbox folder.</image:caption>
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      <image:title>Editing &amp; Mastering - Editing</image:title>
      <image:caption>For authors and narrators who've already recorded Already recorded your audiobook? Whether you're an author who narrated your own book or a narrator recording from a home studio, our audiobook editing picks up where your sessions left off. We listen through every file and clean up the mouth clicks, slips and stray noises that pull a listener out of the story. Breaths are handled the way you want them, and your performance and pacing stay yours. Send your raw files as WAV through a shared Dropbox folder we set up for you. Want every word checked against the manuscript too? Add proofreading, and any misreads are flagged and sent to the narrator for re-reads.</image:caption>
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      <image:title>Editing &amp; Mastering - Mastering</image:title>
      <image:caption>Even volume from the first chapter to the last Once your audio is clean, audiobook mastering brings every chapter to the same full, even volume, so listeners never have to reach for the volume control between chapters. That consistency matters most when a book was recorded over many sessions or days. Here’s how compression evens out a performance. Before anything goes back to you, we check it against retailer requirements. Your finished files come back as WAV through the same Dropbox folder. Turnaround depends on your project, but as a rough guide, a one-hour file is usually back with you within 24 hours.</image:caption>
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